Mimi sorry reached Affleck in the ruins of the launch of the fifth Batman Superman, it is clear that the criticism was regarded as a kind of cinematic bowler smelly: boring and without suffering the effects. Ben Affleck has reason to return to the Blues Live at night, and more than a project close to his heart. Affleck adapted directed and produced and starred in this group Noir beefy homage to prohibit gang who, like a proud child says no to tears when crying eyes, insists he's not a gangster.
It still suffers from a sense of hard living Affleck in the role of Gotham City detective, and the response was lukewarm critical and box office disappointing reaction, which is a sharp contrast with the former president of the Director: Argo. All the more reason to see a little "Moby, maybe. That's even before you consider what happens to the characters, down to the inside of the mouth Joe" is not a gangster "Coughlin. After serving in World War II and the discovery of the marshes and the smell of the front line, it is not Teddy Coughlin returned to Boston and promise not to follow the rules.
He was betrayed by his girlfriend, blackmailed by the head of the Italian Mafia, he gave the kiss of death for another coach mob (Irish), and participate in the success of the bank involved in the killing of three policemen, broken steps bliss or girlfriend and sent to the great house in thinking about everything. This is not only the first 20 minutes. Odharb for the rest of Affleck runtime, betrayed, beaten, betrayed, beaten, betrayed, beaten, betrayal ... and then we hit the police, followed by a small betrayal. But the night the air is anything but predictable: a rare example of drama in police uniform, which is still a surprise.
The storyline is winding kernel messages and salted as the film goes beyond schtick ready "crime does not pay" in space that is exciting - and a bit 'confused - qualify. Coughlin takes seriously the suggestion that the air is now on the ground, but he lives in the night really make the best of his mortal? Apparently feeling a placebo instead of the image of the fatal rock. The main character in the beginning to give a kind of good man gone bad, damped by war and more or less determined to maintain a moral compass. But when his doomed relationship with his mistress Emma (Sienna Miller) - the mistress of a prominent gangster - "haha" ends as usual with repetition and "oh shit" redefine Coughlin as a coward in a row until Dan!. It also provides the show, and there are always more adventures in the kingdom absolutely evil.
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